What is included
- Creator shortlisting and vetting
- Briefing, negotiation and contracting
- Content review and approvals
- Performance reporting per creator
What you end up with: Partnerships judged on results, not on reach.
Who this is for
Events that have to fill a venue by a fixed date, and brands whose product sells better when somebody the audience already trusts is holding it.
Chosen on overlap, not on reach
A creator with 20,000 of the right followers beats one with 200,000 of the wrong ones. Audience overlap, engagement quality and previous brand work are checked before a name reaches your shortlist. An influencer marketing agency that shortlists on reach alone is selling you the easy number.
Reported creator by creator
Every partnership is measured on its own. That is what makes the next campaign cheaper: you keep the creators who delivered and drop the ones who did not.
Proof
- KOSTCON 2025 — Global K-Drama OST Concert: 2.5M+ total reach, 150K+ engagement, 3000+ tickets sold
- Dhaka Dreams Concert — 3X Ticket Sales Boost: 3X ticket sales growth, 85% capacity reached, 2 Weeks turnaround time
Questions
- How do you choose creators?
- On audience overlap with your buyers, on engagement quality rather than follower count, and on how their previous brand work performed. Shortlists are built per campaign, so a creator who suits a concert is not assumed to suit a restaurant.
- Do you handle the briefing and the deal?
- Yes: shortlisting and vetting, briefing, negotiation and contracting, then content review and approvals before anything goes live.
- How is the result measured?
- Against the number agreed up front, creator by creator: tickets sold, sales, or enquiries. KOSTCON 2025 is the clearest example, where the campaign reached 2.5M+ people and sold over 3,000 tickets.